Review of “Nelly & Nadine” Directed by Magnus Gertten

Nelly & Nadine poster
“Nelly & Nadine,” 2022, 1h 32m
Directed by Magnus Gertten

Reviewed by Emily L. Quint Freeman
© March 2024

Almost Lost Forever: A True Story of Love and Survival

When the extraordinary Swedish documentary “Nelly & Nadine,” directed by Magnus Gertten, was released in 2022, it was featured in over 100 festivals and received more than 20 international awards, mainly in Europe. Thankfully in the US, it is now widely available on various streaming services. For me, it was one of those films that stays with you, makes you think, makes you remember, makes you well up with tears.

“Nelly & Nadine” is a true story about two women who became lovers at the most harrowing place and time—a concentration camp during WWII. Somehow, they survived. If it weren’t for a benevolent granddaughter named Sylvie, their story would have been lost.

This documentary spoke to the heart of my own struggles and experiences as a lesbian of Jewish heritage. As a child, I knew my family’s immigrant story, how they crammed onto ships headed to America from eastern Europe during the early 20th century. Those that stayed behind never visited us, their lives passed from view.

I was over sixty when I first visited Prague and went to the historic Jewish cemetery. Written on a memorial wall were the family names of Jews who were transported and killed at the Terezin concentration camp. My eyes scrolled down the lengthy list and stopped short at one name: Rappaport, the family name of my mother’s father. I gasped; an icy chill went down my spine. If I hadn’t gone to that old graveyard, their fate would have been lost to me.

“Nelly & Nadine” begins at a remote farmhouse in Northern France.

The elderly Sylvie goes to the attic and opens dusty boxes, which contain her dead grandmother’s diary, letters, photographs, and home movies. She and her husband became the custodian of the boxes after her mother’s death. They faithfully kept them for many decades, as Sylvie had fond memories of her grandmother, Nelly Mousset-Vos (1906-1987), who had been an opera singer of considerable talent.

All Sylvie knew of Nelly was the kind, gray-haired woman with the wonderful voice who came to spend Christmas holidays with her French family, traveling all the way from her home in Caracas, Venezuela. After the end of WWII, Nelly moved there with a woman named Nadine. Sylvie was told that Nadine was just her grandmother’s friend and housemate.

At some point, Sylvie was curious; and in one box, she found Nelly’s diary. She read only a few lines before it was too painful for her to continue. Her grandmother never spoke to any family member about her two years in various Nazi concentration camps, but there it was all laid out in words. Finally, she dared to go further, and what she found was astounding.

Sylvie decided to share Nelly’s archive, so this documentary could be made. Researchers, historical recordkeepers, and friends of Nelly and Nadine helped to flesh out their true story. As the story was unearthed bit by bit, Sylvie participated in the key interviews and was shown the documents. She came to appreciate her grandmother not only as a remarkable person, but also as a hero of France.

In the 1930s, Sylvie knew that Nelly performed in cities all over Europe, and that she had two children (her marriage ended in divorce). She learned that after the Nazi occupation of France in 1940, her grandmother joined the Resistance as part of a spy ring. In 1943, Nelly was arrested in Paris by the Gestapo and sent to the Ravensbrück concentration camp. The prisoners were forced to do hard labor under terrible conditions; if they couldn’t, they were killed.

Old photographs and home movies revealed what the mysterious Nadine looked like. She was a tall, elegant figure with short hair, often dressed in trousers, a shirt and tie. Born in Madrid, Nadine Hwang (1902-1972) was the daughter of a high-ranking Chinese diplomat and a Belgian mother. She was educated in multiple languages. Nadine moved to Paris in 1933 and became part of the feminist/lesbian circle around Natalie Barney (1876-1972). A playwright, poet and novelist, Barney hosted a salon of notable artists and writers at her Left Bank home. Nadine became Barney’s chauffeur and one of her casual women lovers. Nelly’s memoir stated that Nadine helped at-risk people escape from Occupied France to Spain, which led to her arrest and transportation to Ravensbrück in May 1944.

After Nelly and Nadine met in the camp, their relationship became intimate and passionate; and against all odds, their love for each other kept them alive. They were separated when Nelly was later transported to the notorious Mauthausen concentration camp in Austria. Forced labor in the stone quarry usually meant death, and Nelly was close to the edge at this camp. Her intense memories of Nadine kept her going.

The movie shows a poignant clip of a film taken in 1945 when a group of liberated prisoners from Ravensbrück arrived in Sweden. You see the faces of the survivors deliriously happy to be alive and start their recovery. Nadine was in that crowd. Hers was the only sad, tense face. At the time, no one understood the reason. Nadine was thinking of Nelly. Was she alive or dead?

By some miracle, Nelly had survived, and they found each other again. After the war, what followed was the story of so many gay men and women before the gay liberation movement of the 1970s. I know because I was around then.

1965. I was a sophomore at UC Berkeley when I phoned my father from the dorm. I told him that I wasn’t returning home for the summer. I’d met someone I wanted to be with, someone I loved. Her name was Caitlin. My father exploded, calling me a child, an infatuated fool. He told me to come home, or all financial support would end. I went with Caitlin, and my life became one of desperate struggle to stay in school and graduate. But I did.

The price of being honest and true to oneself was so high that gay people had to make heartrending decisions. Some had secret lovers under the cover of a straight marriage. For career and paycheck, one’s real private life wasn’t ever spoken about at work. Coming out meant stiff societal consequences (even criminal in the case of men). On the streets, fluid gender or flamboyant clothes raised the risk of being beaten or killed. Despite the passage of gay marriage and wider acceptance, it’s still tough out there for so many.

Nelly and Nadine were determined to live free and honest lives. Staying in Europe was too painful after what they experienced in the camps and too close to Nelly’s family. They picked Caracas, Venezuela -- it was sunny and inexpensive with available jobs for educated, multilingual Europeans. The home movies showed them relaxing and entertaining their queer friends. They lived as partners until Nadine died in 1972.

Especially moving was the way Nadine filmed Nelly at their Caracas apartment. She caught Nelly deep in her own thoughts. Her face reflected a profound inner sadness, as her time in the camps could never be forgotten. One can only imagine that those memories were crushing and tragic.

But she had Nadine, and they endured those memories together, always together. Love is love, that’s all and that's enough.

Emily L. Quint Freeman is the author of the memoir, Failure to Appear, Resistance, Identity and Loss (Blue Beacon Books) and non-fiction articles appearing in digital magazines including Salon, Narratively, Drizzle Review, Creation, The Mindful Word, The Gay & Lesbian Review, MockingOwl Roost, Syncopation Literary Journal, and Open Democracy.

"Empowerment comes from ideas."

Gloria Anzaldúa

“And the metaphorical lenses we choose are crucial, having the power to magnify, create better focus, and correct our vision.”
― Charlene Carruthers

"Your silence will not protect you."

Audre Lorde

“It’s revolutionary to connect with love”
— Tourmaline

"Gender is the poetry each of us makes out of the language we are taught."

― Leslie Feinberg

“The problem with the use of language of Revolution without praxis is that it promises to change everything while keeping everything the same. “
— Leila Raven