It’s safe to say that all dyke roads can and should lead back to the queen of wisdom, insight, calling in, and brilliance: Audre Lorde. Best known for her leadership, activism, poetry, and essays–including “The Master’s Tools Will Never Dismantle to Master’s House,” Black lesbian and feminist Lorde is also one of the key sources for personal stories of 1950s lesbian bars and queer parties. She was a long, steady customer at the Bagatelle or “the Bag” in Greenwich Village, New York City, one of the many mafia-owned and -run working-class, butch-femme bars that inspired mid-century queer pulp alongside our current lez bar imaginaries. Through her positionality, experiences, and theorizations in her mythoautobiography–a term Lorde invented for her semi-fictionalized autobiography or what we now often call creative nonfiction–she shares the struggles and realizations that still shape queer, feminist, BIPOC, and Black lives. These include severe ups and downs in bar life, and all of which led her to her brilliant ideas she left behind for us to grow from and in.
First, let’s be up about the worst of it as Lorde was. Most of the bar patrons were white butch-femme, and working-class, and a white aesthetic, culture, and attitude dominated the space. The racial segregation of lesbian bars, unlike other spaces, was not discussed between white and Black or even among Black lesbians, but was clearly visible. Lorde wrote:
The ache is profound. It was the structures of oppression within and inside the bar that perpetrated this hurt. Bartenders, owners, staff, and some patrons openly discriminated against BIPOC, even as they knew that they had so few spaces to share as lesbians.
But the positives of lesbian bars kept bringing Lorde back. She writes, “What we both needed was the atmosphere of other lesbians, and in 1954, gay bars were the only meeting places we knew.” While antiracism was a nascent concept at best in the 1950s U.S., it’s fledging moments are sometimes found in or as a result of dyke bars* as queer sexualities forced groups of people together across race and class lines who would otherwise never had the chance to meet together. As Lorde puts it so beautifully: “We met women with whom we would've had no other contact had we not all been gay.” She later adds, “Lesbians were probably the only Black and white women in New York City in the fifties who were making any real attempt to communicate with each other; we learned lessons from each other, the values of which were not lessened by what we did not learn.” Wow.
We will not be revealing the end, clearly, because you must read this book! (Truly, we devoured it for the first time or tenth time in a few days.) But in the end, we can reveal, Lorde lands in theorizing how we can and must connect across difference:
It’s amazing how much dyke bars* informed Lorde’s life–and ours still!--and these generous, insightful words. If you need more Lorde, she wrote oodles or you can the recent and fabulous biography of Lorde from Alexis Pauline Gumbs, Survival Is a Promise: The Eternal Life of Audre Lorde (2025). It’s what we’re reading to feed our holidays with delight.
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